Trigger warning for inc*st, attempt to s*icide, and s*lf-h*rm. It's probably a "me" thing but I just found the entire experience of watching this movie "meh". I feel like it tried too much within a limited amount of time, which almost paradoxically made it feel longer than it really was, and left me with a heavy head and a weird feeling throughout the day. I don't want to sound apologetic about a "famous" movie that I didn't like, but even though I understand that there's a lot to appreciate about this movie (the most obvious being the movie's feminist core, and its complete disavowal of the typical savarna feminist who doesn't believe in intersectionality), the movie as a whole just doesn't work for me. What I mean to say is that I don't think that it's a bad film at all, it just isn't for me. My biggest problem with the movie has to be the character of Zeenat. I completely fail to understand her motivations, and I...
Honestly, I was already prepared to love this movie, simply because it stars both Sadhana and Shashi Kapoor. Moreover, this is the only movie that they did together, so I was very excited to see this one anyway. But even with all this, I was still not prepared to find this movie as beautiful as I did. First of all, the storyline is excellent- typical Bollywood trope of miscommunications and switched identities. However, there's nothing over-the-top about the movie. No melodrama, no excessively intense emotions, and certainly no unnecessary fight sequences. Just a quiet passion that blooms as the story progresses, and makes you fall in love with the idea of love even more. There's also no "villainisation" of any character- even the characters who make mistakes are treated as humans, not reincarnations of the devil himself. After all, it's human to make mistakes, the movie seems to say- and to add to that lovely sentiment, it also says that it's human to apol...
After watching Aapadbandhavudu , I was shocked to learn that it had "under-performed" at the box office. It has all the elements necessary to make a classic Chiranjeevi movie- the action sequences, the DANCE, the impossible but very necessary romance, the comedy, the rich and poignant human drama, and of course, a canvas for Megastar to showcase exactly why he is deserving of that title. What makes the underwhelming box-office response even more surprising is that in the very same year, Chiru delivered one of his career-defining hits, Gharana Mogudu . Two of the biggest factors, however, that make this movie a "must-watch" for me are the caste dynamics and the treatment of mental health. Both these things are rarely done right in Hindi cinema, which is what I have predominantly consumed my entire life, so it's quite refreshing to find better examples in movies from the South. And when combined with a brilliant performer like Chiranjeevi, these heavy topics seem...
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