Trigger warning for inc*st, attempt to s*icide, and s*lf-h*rm. It's probably a "me" thing but I just found the entire experience of watching this movie "meh". I feel like it tried too much within a limited amount of time, which almost paradoxically made it feel longer than it really was, and left me with a heavy head and a weird feeling throughout the day. I don't want to sound apologetic about a "famous" movie that I didn't like, but even though I understand that there's a lot to appreciate about this movie (the most obvious being the movie's feminist core, and its complete disavowal of the typical savarna feminist who doesn't believe in intersectionality), the movie as a whole just doesn't work for me. What I mean to say is that I don't think that it's a bad film at all, it just isn't for me. My biggest problem with the movie has to be the character of Zeenat. I completely fail to understand her motivations, and I...
Honestly, I was already prepared to love this movie, simply because it stars both Sadhana and Shashi Kapoor. Moreover, this is the only movie that they did together, so I was very excited to see this one anyway. But even with all this, I was still not prepared to find this movie as beautiful as I did. First of all, the storyline is excellent- typical Bollywood trope of miscommunications and switched identities. However, there's nothing over-the-top about the movie. No melodrama, no excessively intense emotions, and certainly no unnecessary fight sequences. Just a quiet passion that blooms as the story progresses, and makes you fall in love with the idea of love even more. There's also no "villainisation" of any character- even the characters who make mistakes are treated as humans, not reincarnations of the devil himself. After all, it's human to make mistakes, the movie seems to say- and to add to that lovely sentiment, it also says that it's human to apol...
I definitely would not have enjoyed this true-blue libertarian movie had it not been for the stellar performances. Chiranjeevi, of course, carried the film with his fiery act as Gandhi, and managed to save the movie from slipping into a cringe parody version of itself. Suhasini was amazing as Lakshmi, and such a delight to watch on screen. However, it was Vijayashanti who won my heart. Not only did she look like the most adorable sweetheart, but she was also fierce when she needed to be, like the scenes where she admonishes her father. Rao Gopal Rao was intense and evil as the main villain, and was a good foil to Chiranjeevi. I also felt very proud of myself for recognising a young Rajendra Prasad as Vidyarthi (this film has a lot of indigenius moments like this) and of course, baby Allu Aravind who seems to have forsaken a career in comedy (rip @ us). Speaking of comedy, Gollapudi Maruthi Rao was hilarious but also sinister as Hanumantha Rao, a fine balance to pull off. Lastly, Silk S...
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