Trigger warning for inc*st, attempt to s*icide, and s*lf-h*rm. It's probably a "me" thing but I just found the entire experience of watching this movie "meh". I feel like it tried too much within a limited amount of time, which almost paradoxically made it feel longer than it really was, and left me with a heavy head and a weird feeling throughout the day. I don't want to sound apologetic about a "famous" movie that I didn't like, but even though I understand that there's a lot to appreciate about this movie (the most obvious being the movie's feminist core, and its complete disavowal of the typical savarna feminist who doesn't believe in intersectionality), the movie as a whole just doesn't work for me. What I mean to say is that I don't think that it's a bad film at all, it just isn't for me. My biggest problem with the movie has to be the character of Zeenat. I completely fail to understand her motivations, and I...
Honestly, I was already prepared to love this movie, simply because it stars both Sadhana and Shashi Kapoor. Moreover, this is the only movie that they did together, so I was very excited to see this one anyway. But even with all this, I was still not prepared to find this movie as beautiful as I did. First of all, the storyline is excellent- typical Bollywood trope of miscommunications and switched identities. However, there's nothing over-the-top about the movie. No melodrama, no excessively intense emotions, and certainly no unnecessary fight sequences. Just a quiet passion that blooms as the story progresses, and makes you fall in love with the idea of love even more. There's also no "villainisation" of any character- even the characters who make mistakes are treated as humans, not reincarnations of the devil himself. After all, it's human to make mistakes, the movie seems to say- and to add to that lovely sentiment, it also says that it's human to apol...
Could have been more entertaining, had it not had some of the elitist preaching. Which is a shame, because I was really looking forward to this one, especially it had Prakash Raj and Samantha Akkineni in it, along with Allu Arjun and Rajendra Prasad. I'm sure someone has noticed this before, but I think the "morals" of Julayi (2012) and S/O Satyamurthy (2015) are very similar in the sense that they strive to maintain the status quo where the middle class man must learn to stay within his limits, while the upper class man must learn to never settle for anything less than what he is "rightfully" accustomed to. Ala Vaikunthapurramuloo (2020) is, in that sense, the most logical culmination to the Allu Arjun-Trivikram Srinivas holy trinity. Even the titles point to the progressive preachiness- Julayi is just that, an aawara, while S/O Satyamurthy takes obvious pride in the patriarchal name and origin. Ala Vaikunthapurramuloo is a case in favour of genetic basis...
Comments
Post a Comment