Honestly, I was already prepared to love this movie, simply because it stars both Sadhana and Shashi Kapoor. Moreover, this is the only movie that they did together, so I was very excited to see this one anyway. But even with all this, I was still not prepared to find this movie as beautiful as I did. First of all, the storyline is excellent- typical Bollywood trope of miscommunications and switched identities. However, there's nothing over-the-top about the movie. No melodrama, no excessively intense emotions, and certainly no unnecessary fight sequences. Just a quiet passion that blooms as the story progresses, and makes you fall in love with the idea of love even more. There's also no "villainisation" of any character- even the characters who make mistakes are treated as humans, not reincarnations of the devil himself. After all, it's human to make mistakes, the movie seems to say- and to add to that lovely sentiment, it also says that it's human to apol...
Mella Thirandhathu Kadhavu is, essentially, an amazing album that saw the collaboration of two geniuses (M.S. Viswanathan and Ilaiyaraaja), with a semi-engaging plot thrown in to connect the songs together. The story is as messy as they came in the 80s (just kidding, it's quite decent compared to the atrocities that were being churned out in that decade), but it holds up thanks to the music, the beauty of rural Tamil Nadu, and of course, the brilliant actors. Whatever I say about Amala's talent is less- she was given a really weird character to play here, but managed to flesh it out and make it interesting anyway?? I love my underrated queen so much, just might stanning her son too. She is so cute here, and such a good dancer, it was a treat in itself to watch her- which worked out well for me, because she is the primary reason I decided to watch it in the first place. However, I liked Mohan's performance too, especially that scene where he bursts into "Vaa Vennila...
Before you, the esteemed reader, start judging me for watching a movie titled Saajan Ki Baahon Mein , I want to reassure you that I have extensively questioned myself about my choices. The only explanation I can offer you is that I am in too deep in the TCU (Tabu Cinematic Universe for the uninitiated) vortex, and that's what's leading me into these dark corners of 90s Hindi cinema. And when I say dark, I mean it. No wonder this decade, especially its first half, is widely seen as one of the lowest periods of our dear Bollywood. The only saving grace was Tabu serving lewks. I'm telling you, 90s Tabu just hits different. Especially with the fashion!! But it's ALL downhill from here, my friends. First of all, WHY would anyone cast a visibly ageing Rishi Kapoor against Raveena Tandon and Tabu, both of whom were just beginning their careers? Nothing about these pairings makes any sense, and just makes you cringe multiple times as the movie "progresses" (I do not w...
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