Trigger warning for inc*st, attempt to s*icide, and s*lf-h*rm. It's probably a "me" thing but I just found the entire experience of watching this movie "meh". I feel like it tried too much within a limited amount of time, which almost paradoxically made it feel longer than it really was, and left me with a heavy head and a weird feeling throughout the day. I don't want to sound apologetic about a "famous" movie that I didn't like, but even though I understand that there's a lot to appreciate about this movie (the most obvious being the movie's feminist core, and its complete disavowal of the typical savarna feminist who doesn't believe in intersectionality), the movie as a whole just doesn't work for me. What I mean to say is that I don't think that it's a bad film at all, it just isn't for me. My biggest problem with the movie has to be the character of Zeenat. I completely fail to understand her motivations, and I...
If you need one film to exemplify what the terms "half-baked" and "half-assed" signify, let it be this one. I saw that this was supposed to be inspired from Serendipity (2001), which I remember liking when I saw it ages ago... but Milenge Milenge just plagiarised its most iconic part and ran with it only to stumble and fall and take the audience down with it. And then Boney 'Wanakam' Kapoor had the audacity to say- "perhaps it was destined that the most romantic film featuring Shahid and Kareena would come after their relationship." Marketing and promotions really will have you saying all kinds of shit huh. However, as objectively terrible as the film is, I still couldn't hate it. Firstly, because I am trash, and specifically trash that grew up and had the most intense Bollywood phase in the early 00s, the period this movie is set in. Secondly, Haider has revived my crush on Shahid and now I can't unsee him as the chocolate hero of my child...
Could have been more entertaining, had it not had some of the elitist preaching. Which is a shame, because I was really looking forward to this one, especially it had Prakash Raj and Samantha Akkineni in it, along with Allu Arjun and Rajendra Prasad. I'm sure someone has noticed this before, but I think the "morals" of Julayi (2012) and S/O Satyamurthy (2015) are very similar in the sense that they strive to maintain the status quo where the middle class man must learn to stay within his limits, while the upper class man must learn to never settle for anything less than what he is "rightfully" accustomed to. Ala Vaikunthapurramuloo (2020) is, in that sense, the most logical culmination to the Allu Arjun-Trivikram Srinivas holy trinity. Even the titles point to the progressive preachiness- Julayi is just that, an aawara, while S/O Satyamurthy takes obvious pride in the patriarchal name and origin. Ala Vaikunthapurramuloo is a case in favour of genetic basis...
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