Kaaviya Thalaivan (2014)

People might find faults in Kaaviya Thalaivan for any number of reasons, but what most don't consider is that it is truly representative of how insane everyone in a theatre troupe is. No, I am not kidding or exaggerating. I got so many flashbacks of being part of a theatre society during college and school, because it was just so on point. From Nassar as the uptight and self-righteous leader to Siddharth who visualises his entire life as a service to the art, it's all there. 

The scene (and heart) stealer, though, has got to be Prithviraj as the main antagonist, Gomathi (apart from the British colonisers and boot-licking policemen, of course). Even though his character wasn't as fleshed out as I would have liked it to be, he still adds so much depth and complexity to it, it's astonishing. Gomathi is undoubtedly on the list of sexiest villains of all time, and proves my theory that a memorable movie needs an unforgettable villain. 

However, the biggest villain in the movie has to be the misogyny. None of the female characters were realistically written by any standards, and their treatment left a lot to be desired. 

A.R. Rahman delivers yet another musical masterpiece with this album. 'Aye Mr. Minor!' is one of the biggest bops ever, and the background score is just perfect. Rahman apparently researched for six months before embarking on this project and let me tell you, it shows. It's beautiful, intricate, and heart-warming all at the same time. Do listen to the album, even if you're not necessarily planning on watching the film. It'll be a rewarding experience in itself.

Also, before I forget, that scene where Nassar waits for Sid to come back, and the confrontation that follows- sheer genius. I'm telling you, I cannot think of another movie that captures the madness of theatre, and is also a beautiful ode to it. I mean, the way it shows the revolutionary potential of theatre? Love it. Just love it.

In conclusion, Nassar, Sid & Prithvi rock, and I really wish they do another movie soon. With A.R. Rahman giving the music (and the feels), of course.

PS- Rang De Basanti Sid walked so that Kaaviya Thalaivan Sid could run.


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